Bondarevo biography

Theater figure, creator of the first in the Kuzbass of the theater museum. Father, Bondarevsky Eduard Abramovich, originally from Ukraine, a participant in the Great Patriotic War, was awarded 15 orders and medals. After the war, he arrived in Siberia from Krivoy Rog to raise the Shalym and Sheregeshsky mines, and a mining engineer by profession. He worked as the manager of the Sheregeshsky mine, in the year he died in the performance of official duties.

Mother, Bondarevskaya Vera Mikhailovna, worked as an English teacher, she was from Belarus, she was evacuated to Siberia during the Great Patriotic War. When the Bondarevsky family moved from Shalym to Stalin Novokuznetsk, they were given an apartment in a house on Mayakovsky Square, which is now considered an architectural monument. The inhabitants of the house were then actors, directors and other theater workers.

At school, she organized a drama circle, where she herself participated in productions. Love for the theater was instilled by her parents, for her birthday they did not give a doll, but a ticket to the theater, and this was the biggest holiday. After school in the year, Svetlana Eduardovna did not hesitate with the choice of profession: she immediately went to work in the Novokuznetsk Drama Theater.

Having learned from the newspaper “Soviet Culture” about the existence of the Theater Faculty, she decided to enter the institute. In the year, she entered the Faculty of Theater Studies at the Leningrad State Institute of Theater, Music and Cinematography now - the St. Petersburg Academy of Theater Arts, graduated from the Institute in the year. When Svetlana Eduardovna graduated from the institute, none of his fellow students even thought about returning home to the province, everyone tried to stay in Leningrad.

But Bondarevskaya was brought up by a patriot of a small homeland. It seemed to her that Kuzbass was the best place, she was proud of the city of childhood and did not even think about staying in the northern capital. After the Institute, Svetlana Eduardovna came to her native theater already in the role of the head of the literary part. At that time, at that time, in terms of the repertoire, a lot depended on the repertoire, it was Svetlana Eduardovna who was engaged in the search for new modern plays.

The play was the main character of the theater, because a little more truth was spoken from the stage than it was accepted. During his work in the Novokuznetsk Drama Theater, Bondarevskaya Svetlana Eduardovna worked as a costume, a ticket, assistant director, head of the literary and drama part of the theater, deputy director for work with the audience. Since the year, it has been the authorized Union of Theater Workers in the Novokuznetsk Drama Theater.

For merits in the field of theatrical art in the year, she was awarded the title “Honored Worker of Culture of the Russian Federation”. Over the years of serving the theater, Svetlana Eduardovna was engaged in the propaganda of theatrical art in schools and educational institutions, was the organizer of the Lecture “Theater and Time” at the Kuznetsk Metallurgical Combine, engaged in modern drama, and opened new names for the theater.

She participated in the creation of a small scene where the plays of A. Gelman, E. Radzinsky and other authors were staged. Svetlana Eduardovna has always actively collaborated with the media not only of Kuzbass, but also to Russia. I created plots on the radio and TV, I spoke in newspapers about actors, directors, organized benefits and creative evenings of both leading actors and the youth composition of the theater.

Bondarevskaya stood at the origins of the Children's Creativity Theater "Youth", where to this day he teaches the history of the Russian and foreign theater. In the x years, Svetlana Eduardovna organized the first theater museum in Kuzbass. At the moment, it exists in the Novokuznetsk drama theater as a permanent exhibition historical hall. Svetlana Eduardovna was awarded medals of the Kemerovo region “For Serving Kuzbass”, “70 years of the Kemerovo region”, “For worthy education of children”, “For faith and good”, an honorary sign of the city of Kuzbass, she was awarded the title of Merit in October of the year.

Almost until the last days, Svetlana Eduardovna worked in the drama theater lecturer-art, took an active part in all city and theatrical events. She was gone on February 3. There are people whose position can not be called.

It is enough to name the name of this person and the place of work. And to break these concepts is almost impossible. One cannot be without the other. Svetlana Bondarevskaya is inconceivable without our drama theater, like our theater is difficult to imagine without her, a man who began to serve him from his youth years. She was a costumeman, a souffler, a lot, a librarian, an applied, deputy director for the organization of spectators.

I expected that she would talk about the theater museum created by her, but she began her story about Novokuznetsk. I was born here, although my parents are not from Siberia. Mom was evacuated from Belarus. When the war began, after one of the first bombing they had nowhere to return from the bomb shelter - there was no longer a house or the street on which they lived.And then they were in the goods and went, not knowing where.

We arrived in Stalin. They were given a room. So he and his sister were here. My dad is from Ukraine. He went through the whole war. He had 15 orders and medals. That is why, probably, in the year he was not declared an enemy of the people. He came from Krivoy Rog after the war here to raise the Shalym and Sheregeshsky mines, because he is a mountain engineer by profession.

There I and I lived there. On a business trip in a car disaster, he died. When we moved from Shalym to Stalin, we were given an apartment in the house, which is now considered an architectural monument, on Mayakovsky Square. I remember very well that half of the house was populated, and the second was still built. We lived next door to the architect of this house Savchenko and rejoiced at our apartment, although parents still had a dream to leave here, either to Belarus or Ukraine.

There were a lot of evacuated. The inhabitants of our house themselves were amazing. Lived with one family. If someone bake pies or sculpted dumplings, we were all in the apartment. We knew everyone. Now I do not know the neighbors in my house. People somehow stopped talking. We were overwhelmed with pride in our square, which was then considered central. This Christmas tree, which has always been placed near our house, which was adeled and became the largest and most beautiful.

Then they began to settle actors, directors and other theater workers in our house, so I met them. I really liked to engage in history and theory of music. In the lessons, I tormented everyone with Chopin’s biography, stories about his works. And we had a mathematics teacher Naum Yakovlevich Kantorovich, who is now working in the pedacade. He also loved the theater, humor.

He brought us records with records of Arkady Raikin. And until 9 pm he kept us at school after mathematics. We laughed with him. The theater was loved by my mother and teachers. The day after the performance, my sister and I definitely played this play at home. I organized a drama circle there, and all the roles that could be dreamed of were mine. I thought that for the director I have little mind, for the actress - talent.

But she entered the Leningrad Institute for only the third year, already working in the theater. But they have always been. Then we put up again. In the X years, a group of actors, then the Komsomol members of the Safonov, Belov and others, decided to organize a museum. It so happened that this was the first theater museum in Kuzbass. But the theater was in disrepair for many years. And when we were on tour, heating broke through and many exhibits died.

After that, I gave part of the materials to the local history museum. And now we have made such an exhibition historical hall, which over time, I hope, will become a museum. There is not even such an order to organize the theater in the city of Stalinsk. The Kuznetskstroyites wanted to have their own theater. After the first building burned down, the building, which is now called the Metallurgists Theater on the Victory Square, was built in days.

Previously, the theater and the city were inextricable. The city was built, and the theater was built immediately. Another thing is that the city, born of five -year plans, did not have theatrical traditions, which are, for example, in Irkutsk. The best spectator was post -war when almost 12 thousand people came here from the Russian Center. It was a spectator ready for the theater, very demanding.

The theater was opened. The people reached for him. We want to believe that he comes to the performances, and not just to look at the new building.