OMON Burkhanov Biography

It has a glorious story rich in remarkable traditions. This story is a powerful foundation for that high culture and skill, thanks to which the Opera and Ballet Theater gained worldwide fame. For almost nine decades, achievements have been accumulated in the theater, a circle of expressive means was polished, experience was improved, humanistic principles were developed and developed.

The theater absorbed all the wealth of the national and world classical heritage and created unique examples of Uzbek musical and stage art. The history of the theater begins with organized in the middle of the X, the borial of national culture, the hot enthusiast of theatrical art, the People's Artist of Uzbekistan Muhiddin Kari-Yakubov, and the professional concert and ethnographic ensemble.

The indefatigable musical and public figure and talented organizer M. Kari-Yakubov sought and found talented artists throughout the republic, cared about their professional growth, implementing the idea of ​​creating an academic national theater team. On the basis of this creative team, in November, the State Uzbek Musical Theater was created, in the process of historical development, it turned into a complex organism, which absorbed the art of choreography, vocals, dramaturgy and many other types of art, which is today Gabt them.

The first director and artistic director of the State Uzbek Musical Theater was M. Kari-Yakubov, the dance troupe was led by a talented dancer Tamara Khanum. The young team with great success spoke not only in his homeland, but also far beyond its borders - in Belgium, Holland, France, England, Egypt, Russia, Tatarstan, Azerbaijan, Georgia, amazing everyone with its national identity, bright artistic temperament, amazing musicality.

Among the first national performances that enjoyed great success, the audience had the musical dramas of Halima G. Zafari, Ichkarida “on the female half of the house” by T. Dzalilov and M. Ashrafi, inspired by modern public topics, as well as performances by the poems of Alisher Navoi “Farhad and Shirin” V. Uspensky, Lily and Madzhnun T. Sadykova and N. These musical dramas prepared the ground for the creation of national opera and ballet works.

Each theater season brought the production of new performances and new editorial offices, and new versions of previous premieres, which allow us to improve the achieved and conquer new peaks in art. The musical theater grew up, overcoming difficulties and gained more and more popular, becoming a rostrum of masses, an active propagandist of the whole new, progressive and fruitful in culture.

The premiere of June 11, the first Uzbek opera Buran M. Ashrafi and S. Vasilenko opened a new page in the history of the National Musical Theater. The production of this opera was director Emil Yungwald-Khilkevich became a vivid event of the cultural life of the republic. In the same year, composer Friedrich Tal created the mall “Shahida”, set up with the active assistance of Alim Kamalov’s mouth and Mukarram Turgunbaeva, who played the main role.

Since that time, the theater has gained a new status. It began to be called the State Uzbek Theater of Opera and Ballet. Sadykova and R. Glier on July 17, continued the line of development of national opera art, paving the way to the hearts of the broad masses of spectators. The event in the musical life of the republic was the production of the Opera Ulugbek Alexei Kozlovsky in the year of the opera.

The Party of Ulugbek was greatly successful by M. Premiere in the year of Ak Bilyak ballet Sergey Vasilenko in the production of choreographer Fedor Lopukhov and decorator artist Meli Musaeva became an important step in the development of choreographic art.

The image of the heroine of the ballet “Ak Bilyak” was created by the artist M. successfully made colorful Uzbek folk dances. An interesting experiment and an event in the cultural life of the republic were the production of operas performed in Uzbek in the years such as Carmen and Pearl seekers, J. Bizet, the “peak lady” and “Evgeny Onegin” P. P. of the heyday reached the remarkable skill of leading soloists - the folk artists of George Israeli, Ivan Esipov, Andrei Boyko, Anatoly Ovchinnikov, Honored Artists - Lyubov Alexandrova, Emilia Martishevskaya and many others.

In March, the theater was named after the great Uzbek poet Alisher Navoi. And in the year, the public immediately presented three new productions - two Uzbek national operas and ballet. The opera “Gulsara” by R. Glier and T. Sadykov, Tahir and Zuhrah T. Jalilov and B. Brovtsyna, ballerina ballet, Mushel, became significant phenomena of the Uzbek musical theater. In years, the theater’s repertoire is enriched with new opera and ballet performances of national and world classics.

One by one, new national performances appeared on the stage of the theater, which became staged in the history of the Uzbek musical culture. This is the opera "Zaynab and OMON" by B. Zeidman, T. Sadykova, Yu. Rajabi, D.Zakirova, Balts “Dream” by I. Akbarov, “Oinis” D. Zakirova, B. Gienko, the new edition of the opera Ulugbek A. Especially it should be noted the operas “Dilor” by M. Ashrafi on February 5 and the comic opera “Masary's Preding” by S.

Yudakov on January 9, to this day, who occupy a worthy place in the repertoire of the theater and who are pearls of the Uzbek Opera Opera. music. In the second half of the 10ths, the influx to the theater of new artistic forces ensured a noticeable increase in its artistic authority. Young soloists who came to the stage of the theater already in the first years of work achieved serious creative success.

For great successes in the development of musical and stage art to the State Opera and Ballet Theater named after Navoi in the year was awarded the title of "academic", and in the year - the "large". For four decades to today, the bright achievements of the theater, its vocal-performing heyday have been associated with these glorious names and personalities. In the years, the role of directing and scenography has increased in the production of the theater, the forms of dramaturgy became more diverse, and interesting searches in the field of a modern topic were indicated.

In this regard, such large-scale opera performances as “Trubadur”, “Aidur”, “Rigoletto” J. Verdi, “Pan of the Voivodes” by N. Rimsky-Korsakov, “Boris Godunov” by M. Mussor, “Prince of Igor” A. Borodin, “Duenya” by S. Prokofiev, “Arsenal” by Maorboroda, ballets-Borodin, and Balte-Borodin. “Spartak” by A. Khachaturian, “Don Juan” by L. Feigin, “Kashmir Legend” by Mushel, “Semurg” B.

And the names of bright directors - Honored Artist A. Navrotsky and Honored Artist of Uzbekistan Alla Miralimbaeva are closely and inextricably linked with the new search for these years, and the gallery of performances that left a vivid mark in the history of the opera art of Uzbekistan. Verdi and the new version of Prince Igor A. Among the ballet performances, the first production of the Tanovar ballet A.

Kozlovsky is noteworthy, the choreographer - N. Markaryants, “Love and Sword” by M. Ashrafi year, choreographer - I. Yusupov, “In the Valley of Legends” “Indian poem” W. Musaeva year, choreographers - Yu. Scott and Yu. The stage of the creative life of the theater began with the production of the opera A. Petrov “Peter I”. From this performance, the fruitful, not stopping to this day has begun, very successful joint creative activity of the conductor, people's artist, the laureate of the State Prize, Professor Dilbar Abdurahmanova and the director, People's Artist of Uzbekistan and Azerbaijan, the laureate of the State Prize, Professor Firudin Safarov.

The performances staged by them are “Queen of Spades” by P. Tchaikovsky, “Faust” by S. Verdi, “Seville Barber” J. Rossini, “Samson and Dalila” K. Saint-Sans, “Leili and Medzhnun” by R. Sadykov, the first staging of the author’s version of the “Fiery Angel” by S. Prokofiev, the embodiment of the premiere version of the new opera of M. Bafoev “Omar Hayyam” made a decent contribution to the history of the opera culture of Uzbekistan and revealed a bright originality handwriting of these directors.

The performances staged by the conductor D. Abdurahmanova and director F. Safarov were repeatedly shown on tour in Russia and Germany and gained fame far beyond Uzbekistan.