The last bow is biography

Try the literature selection service. You can always turn off the advertisement. A novel in short stories is most organic to the artistic world of Astafiev, Whose Gives Preference to the Genre of the Short Story Orse Forms Create on the Basis of a Basis of A Short Story. The text of the scientific work on the “Last Black” by V. Astafyev: The history of the creation. The genre in the article traces the story of the creation of an autobiographical story in the stories “The Last Black”, the main “cherished” book of V.

Astafyev, which is directly related to the formation of its genre cycle of stories - a story - a story in stories. Such a story is the most organic in the art world of Astafyev, who prefer the genre of the story or the great prosaic forms created on the basis of the story. Keywords: plan, history, genre, story, story, story in the stories of The History of Creating The Autobiographical Novel in Short Stories "The Last Bow" - V.

Astafyev, most accurately corresponding to its creative planes, which has matured far away, which has matured far away. Not immediately. It all started with one business trip to the Krasnoyarsk hydroelectric station in the city It was from this trip that the writer, according to Yu. Rostovtsev, that “took out creative indignation, which turned into a bright, original and lyrical word about his village childhood” 1.

Astafyeva was outraged with what irresponsibility and how boastfully the people who own the pen talked about Siberia and her construction sites, “as if there was no one before them, no one lived, and if he lived, then there was no attention” 2. The writer realized the need to tell “about his fellow countrymen, first of the head about his fellow villagers, about grandparents and other relatives, trying not to humiliate them and not to heaven to elevate them with a word” 3.

Victor Astafyev. Memory staff. Last bow: a story in stories. Comments copyright. Later, these stories were included in “The Last Black”, however, in a different priority, and some with the changed name, for example, the story “By hay” was later renamed the “Small of Hay”. Astafyev wrote his “pages from childhood” in breaks, being distracted from the “main” work.

And it turned out. In the city of Astafyev - and it was already in the book - that was the name of one of the chapters. And once my comrade put a finger at this name ”5. The first edition of the “last bow” is 15 stories, printed in periodicals for 8 years - this publication is still very different from the final three -book, the canonical version included in the languid collected works of Krasnoyarsk, - Astafyev, even if there were only 15 stories, and there the writer defined the “last bow” as a story, not yet realizing the liability of the like genre definition.

In order for the collection of stories to turn into a story, a meaningful combination of parts into the whole must occur in it, there must be a serious internal interconnection of elements. In the first book “The Last Bow” there are only separate scrapers designed to bind the text. These are two through protagonist-grandmother along the mother of Mother Katerina Petrovna Poti Litsyn and her grandson Vitya Potylitsyn, future writer Viktor Petrovich Astafyev's surname of his father.

The beginning of the narrative was successfully found, the role of which is played by the story “A distant and close fairy tale. Instead of entry. " He will be at the head of the text from the beginning to the end of the formation of the “last bow” genre, the process stretched for almost 30 years. The text of the first collection is combined, in particular, the toponymic connections - the geographical names of the actually existing signs of the area, the village of Ovsyanka, in which the action takes place from the story.

This is a rocky bull rock; The Yenisei, small rivers flowing into him: Karaka and the Fokinsky river, dissecting the village in half; Other rivers at the Yenisei village: May, Mana, Malaya and Bolshaya Slizel. These toponyms, repeating, form a thin motive structure. The first edition of the “last bow” is only an approach to solving a serious artistic task - creating a book about the fate of the Russian peasantry of the peasant universe in the 20th century.

There is not a story before us, but only a successful fragment of a large plan-a cycle of stories about childhood plus two stories that fall out of the structure “somewhere warfare war” about studying the seventeen-year-old Victor in the city of the above-mentioned two main through heroes, successfully found toponyms as a means of motive ties only to form a cycle. stories. In order for the stories to become a story, the writer has to expand the narrative, solve serious compositional tasks, strengthen the drama of the narrative, reveal conflicts that mature inside the peasant universe, more closely to peer into peasant fates, there are still no stories about the father’s family, about dispossession, about the life of little Viti in the city of exiles - Igarka.

Time and place of action have expanded much. Based on the events described in the stories of different periods of the life of the protagonist Viti, the author first divides the “last bow” into two books: in one - 15, in the other 9 stories.It is important that the first book of the “last bow” of the second edition does not repeat the first edition of the first edition of the first edition of the first edition of the first edition: “Somewhere the war is rattling” and “The Last Black”, which, in its content, did not fit into the cycle of stories about childhood, which, in fact, was “the last bow” in the city in the first book, puts new stories about childhood: “The boy in a white shirt” and in a white shirt ”and “Gori, it’s clear” in one word, the author carries out a semantic restructuring of the text, collecting stories about childhood in the first book, and in the second - about the adolescence and youth of the hero, his life with his father and his relatives and further exit to life.

After the tragic death of the mother in July, it was this segment of time that was presented in the first book of the new edition of the Last Bow. The action of stories mainly takes place in the native village of Ovsyanka. In the second book of “The Last Bow”, Viti's father returns from prison to oatmeal and after a while takes his son to his new family at the Sosnovka forest room.

In the summer, G. Vitya moves with his father and stepmother to Igarka. The story “Burunduk on the Cross”, where the action moves from oatmeal to Igarka, opens the second book of the new edition of the “last bow”. The narrative is about the future life of Viti in Igarka, about his military and post -war life. The action of stories in the second book goes beyond the borders of the oatmeal.

In the publication of G., everything ends with the story “The Last Black”, which not only gives the name to the whole, but also expresses a clear author’s intention to perpetuate her grandmother and symbolize her image. Firstly, the connecting role of the main characters-the grandmother of Katerina Petrovna and her grandson Viktor Potylitsyn, who are already shown in development, is strengthened in the two-term “last bow”.

For example, Katerina Petrovna in this edition is an actor in 18 stories from they become, in fact, through, significantly complicated by the heroes of a single already enlarged text. All the stories of the first book “The last bow”, the publication G. Grandmother in the first book is in the foreground. In the second book of this publication in the foreground, it is no longer a grandmother, but an autobiographical hero Vitya Potlitsyn, where his character is not only revealed in development, but also complicated to a large extent.

The compositional core of the second book “The Last Bow” is the dramatic life path of the protagonist Viti Potylitsyn: his “Walking through the torment” vagrancy, orphanage, growing up, formation, testing war. Astafyev returned to his homeland, settled in Krasnoyarsk and at the same time in his native village Ovsyanka got a hut. Here 50 years ago, the best time for his life was the best of his life - childhood.

And new stories are born, additions and amendments to the early stories are made. From the city, new stories were added to their total amount increased to a two -term structure developed in a three -quinel 12, 9 9 stories, respectively, in each book. The new three -quantity structure will later become final in the canonical version. Time and space cease to be the main criterion for structuring the text.

Pictures of village childhood Viti appear in all three books. The author refuses the previous structure and creates a new one: the stories “Gori, Gori is clear”, “Dark-dark night”, “Uncle Philip-ship mechanic” were transferred to the second book, and the stories “Magpie”, “The War is rattling”, “Littleman”, “Soy sweets”, “Feast after victory”, “The last bow” are included in the third book.

In each of the three books, different pathos reigns. The first book is a bright, joyful pathos, which is expressed in such words of the text as “and Zorkina Song, the song of the awakening day, was poured into my heart and sounded, sounded, the life in the closed world of Ovsyanka is depicted here, where“ labor connects the existence of a person with a natural cycle, where people of different generations converge, an elevated meaning.

Ordinary labor processes "9. In the second book, the ideal relationship of man with a person, man with nature is gradually destroyed, fierce conflicts arise, a clash of personal, family fate with the fate of the Soviet state occurs. Viti ended a short happy childhood and a heavy, wandering and orphanage life began. The third book traces the large and difficult life path of Viti Potylitsyn during the war and the post -war period, showing the growing of the protagonist and strengthening his character.

The narrative intensifies the universal and philosophical principle. An adult hero began to seriously comprehend the life and fate of a person, society. The genre definition - the "story" - is preserved. Understanding that in the loose prose structure, consisting of stories, the paramount role in the labyrinth of various components of the text is played by the adhesion of the characters, Astafyev uses the principle of adhesion of the characters in contrast, and the contrast of noble families.

Biographical Dictionary.In Astafyev, this is an antithesis of characters and the contrast of two peasant families: the piercing labor of the grandmother of Katerina and the gully reckless family of her great-grandfather, grandfather, father of the Astafyevs. But with the publication of the three -term “last bow” in the city And the last point in my cherished book will have to put it not for me, but to those who follow me ”at the end of the 10th - early xg.

Astafyev was busy with a long -conceived novel about the war. And this accelerated the end of the “last bow”. Summing up to many years of work, Astafyev wrote two final stories, “Slan -shaped head” and “Evening thoughts”, printed in the second and third numbers of the “New World” over the city of the Third Tom in the same year, the first and second books of the last bow were included in the same year.

And the fourth volume in which the third book was supposed to be printed, for some reason, did not see the light. The author replaced the former genre definition of the "Tale" "Tale in the stories." All stories are one after another in the order as the publication of G. But the publication contains all 32 stories 20 and 12, respectively, in each volume, including the final two.