Gill Ballerina Biography

The railway city, known for his performances in the productions of Giselle, Swan Lake, and Don Quixote, Gillem gained worldwide fame and respect for its significant contribution to the development of contemporary dance. Between gymnastics and ballet Silvi Gill was born in Paris in the year, and from early childhood began to study gymnastics. It was not surprising - after all, Silvi’s mother was a gymnast, she instilled her daughter a love of dance, starting to prepare her for the French Olympic team.

The world of ballet Young Silvi discovered at the age of 11. After only a few years of studying the ballet at the Paris Opera ballet school, Silvi Gill showed amazing results, and she began to prophesy a brilliant future on the path of dances. Silvi needed only four years of study to get an invitation to move from amateur dancing to the constant composition of the troupe. According to the order established in the ballet of the Paris Opera, in the year Silvi was credited to the staff of the corpse, where she spent several years.

The ballet after her arrival in the troupe in the year, then his career Silvi Gill continuously walked along the growing one. She succeeded in the corps de ballet from the very beginning - just two years after coming to the troupe, at the age of 17, Silvi for the first time spoke with a solo role, taking first place in the international ballet competition in Varna. Her first solo role was the role of Queen Driad in the ballet “Don Quixote”.

Gill became the youngest Prima-Balerina in the ballet of the Paris Opera. Just six years after admitting to the corps de ballet, Silvi was invited to dance in London in the royal ballet - she was offered a major role in the production dedicated to the celebration of the Letik Nureyev. The bets were incredibly high, but Gill surpassed all expectations. She fascinated England faster than native France.

Against the backdrop of a violent success in London, Silvi Gill was invited to the royal ballet as an invited soloist, which gave her freedom, to which she always strove. Partly due to free graphics in the royal ballet, Gill could begin to engage in additional projects in addition to ballet. In X she created a television show called Evidentia, which became very successful. This is not at all surprising, because the Gill project was one of the first dance show on television - long before the dance programs flooded the TV market after a year.

Silvi Gill traveled around Europe, putting choreography for several most prestigious dance groups in Europe. In addition to the ballet, Gill began to explore other areas of dance. Currently, Silvi has left the ballet and is a successful choreographer of a contemsors in England. Although Gill stopped dancing in France more than 20 years ago, the French still love and admired her.

Silvi was recognized as one of the greatest ballerinas of France in the entire history of the country. It is impossible for all these data to be collected in one ballerina, but there are exceptions. More precisely, one thing, and this is Silvi Gill. It seems that her Arabesques stop not obvious physical limits of the human body, but the need to have time to make movement to music.

It often happens that stretched ballerinas jump poorly, since too stretched muscles do not allow to push away from the floor properly. But not in the case of Silvi: her jumps in Don Quixote, for example, are recorded on film, and these are outstanding jumps. His Gillem clicks like nuts, not referring to all his M Fuete, as something especially important. And in addition to impeccable technology, there are also its fantastic lines - no matter what pose it stands in, it will be a work of art.

Having set the new standards of physical shape, it, oddly enough, still remains inaccessible for many decades. But for her, these data never became the subject of bargaining, she said that she knew the artist in the Paris Opera even more flexible, but using her impeccable stretching “vulgar and tastelessly”. Therefore, the most important thing is not this: physical data is a cherry on the cake.

What made her great artist is much deeper than that. The ballerina of amazing charisma, inquisitive mind, fearlessness, but, most importantly, curiosity - all this made it not just an ideal machine for the performance of fairy -tale princesses, but the best ballerina of our time. If she was not fearless and inquisitive, she would have remained to perform the entire repertoire of the Paris Opera and at 42 years old would be retired beautifully.

If she was not smart and demanding of herself, she would not have experimented with her body, allowing talented choreographers to make herself not accustomed and ridiculous. If she was not charismatic, she would not have collected full halls around the world at 50. That is why Prima Ballerina Assoluta - the unspoken title of the best generation ballerina - is used unanimously by critics of the whole world.

Before her, this title was, in addition to others, by Anna Pavlova and Galina Ulanova. Agree, a good company.And therefore, when they say that the ballerina does not need to think with your head, but you just need to dance and swim with the flow, Silvi Gill probably laughs loudly at it, and as usual, goes somewhere in the unknown side, contrary to all rational arguments. Similar articles:.