Polonskaya biography


Interesting facts Biography of Veronika Polonskaya are the theater and cinema actress, known as the last love of Vladimir Mayakovsky and the witness of his suicide. The creative biography of the artist was not the most successful. She failed to build an outstanding career in cinema, but she loved the profession. Moreover, colleagues rightly admitted that the performer was created for acting: feminine, empathy, she was able to attract and hold attention.

The childhood and youth of Veronika Polonskaya was born in Moscow on June 6. She was brought up in a family of actors who served in the Maly Theater. Father Vitold Polonsky shone in pre -revolutionary cinema. There was no doubt that Veronica would follow in the footsteps of his parents. From the age of seven, she appeared on the set and was involved in episodic roles in paintings with the participation of her father.

In the year, the artist was offered work in Hollywood. The family plans to move to the United States. True, he was not destined to take place due to the sudden death of Vitold Polonsky in m. After his death, Veronica stopped inviting to the shooting, but this did not stop her from choosing a creative direction for professional activities. And the paintings, where she collaborated with her father, did not see Polonskaya - the tapes were not preserved.

Subsequently, the question of professional implementation was not for the novice actress. She was sure that she had to devote herself to the theater. The theater of Veronika Vitoldovna in the theater developed more successfully more cinematic.

Polonskaya biography

The costume images of Polonskaya were given especially well. In them, the actress was so lovely that the strong half of the troupe was in love with her almost in full force. The artist portrayed the governor's daughter in Dead Souls, was listed among the main characters in the production of “Gerard sister”. Then she did not last long at the Rostov Drama Theater, in M ​​returned to the Moscow Art Theater, in the troupe of which she stayed to go.

Subsequently, up to Go, the actress served in the Moscow Theater named after M. Films of Polonskaya Debut in the cinema took place in M ​​in the film “Glass Eye”, whose shooting was under the leadership of Lily Brik and Vladimir Zhemchuzhny. It was not difficult to transform into the image of a fatal beauty for the actress. The German Eleanor Veronika Vitoldovna played in the film “Conveyor of Death”.

The filming was led by a well -known, complicated, uncompromising disposition Ivan Pyryev. The director categorically refused to let the ward to the theater, which is why one day even locked in his office. Then followed the work on the film “Three Comrades”, after which the lull came. Polonskaya did not star in the cinema for 30 years. Interestingly, in an earlier film adaptation, the year, Andrei Bolkonsky was portrayed by the Father of Polonskaya.

The last work of Veronika Vitoldovna in the cinema was the biographical tape “Mother Maria”. The young was 18 and 24 years old, respectively. Among the girlfriends of the bride at the wedding was the inimitable Faina Ranevskaya, and the classic of Russian literature Mikhail Bulgakov included the chafers. Acquaintance with Vladimir Mayakovsky happened after almost three years, in May GO.

The poet actress was presented by Osip Brik. The writer at that time was 36 years old, and Polonskaya - their romance turned out to be passionate and swift. The love story developed despite the family position of the girl and the age difference. Understanding that relations with Mayakovsky could not be called stable, Veronica did not dare to leave his legal spouse, although the poet in love insisted on this in every possible way.

Polonskaya became pregnant from Mayakovsky, but decided not to leave the child. The operation was not very successful, which affected both the physical and emotional health of the actress. In m, in the second year of the connection of lovers, Vladimir Mayakovsky was experiencing a difficult period. He was in a deep creative and personal crisis and one of the possible options for salvation saw the creation of a family with his lover.

The tragic event that happened on Lubyanka on April 14, prevented plans. The couple had another scandalous scene. Veronica was late for a rehearsal to Vladimir Nemirovich-Danchenko, and Mayakovsky locked the door of his room and resolutely demanded to leave the theater. As soon as she approached the front door, a shot rang out. Returning, the actress discovered a shot poet. Mayakovsky left a suicide note in which Lily Brik, mother, sisters and Veronika Polonskaya called his family.

The artist did not come to the funeral of her lover due to the fact that the relatives of Vladimir Vladimirovich considered her guilty of the death of a loved one. Brik supported this decision. Polonskaya divorced Yanshin in the year. She tried to arrange her personal life, meeting with critic Osip Beskin. But three years after the first divorce, she became the wife of Valery Azersky, who later turned out to be a victim of the Stalinist repressions and was executed with the label of the “enemy of the people”.

Veronica managed to give birth to her son and named the child in honor of Mayakovsky. The boy was brought up by the third companion of the life of the artist Dimitri Fivesky, who gave him his last name. Vladimir Fivesky received a medical education and moved to the United States.Polonskaya did not have other children. Death until the death of September 14, the actress lived in the House of Veterans of the stage.

The woman believed that her son threw her in the shelter, leaving her without support and means of existence. The cause of death of the artist was age -related diseases. Her grave is at the Vagankovsky cemetery, but this information became not immediately the public. At first, the family did not disclose the burial place of fear that he would be ruined because of the same novel by the actress with Mayakovsky.

Polonskaya photos in his youth have been preserved, which allow us to assume how she looked during the period of relations with the poet.