Biography Rosa Karimova
People's Artist of Uzbekistan, cavalier of orders. The author of 17 books and textbooks on the history and theory of Uzbek dance. Rosia Karimova was born in the year in Kazan in the family of a merchant. Unfortunately, Rosia and her older sister Sarah were early orphaned and brought up with her grandmother. Then, by the will of fate, both girls arrived in the Uzbekistan, to the Ferghana Valley, and Rosia was admitted to the orphanage G.
The girl loved to sing and dance from childhood, actively participated in school art. There, for the first time, she was seen by Mukarrama Turgunbaev subsequently the creator and head of the famous dance ensemble "Bahore", which has become a mentor and older friend for Rosia for life. During the years of the last century in Central Asia, despite the struggle for the emancipation of the Muslim woman, there were still very few women actresses, so Rosie was not easy to devote themselves to art.
In the year, Rosia enters the newly created theater studio under the leadership of Mukhitdin Kari-Yakubov under the Uzbek State Musical and Drama Theater Samarkand and soon becomes a soloist of this theater. Since that time, she performed lyrical and heroic dances and played dramatic roles on the stage: Azadhon “Ichkarida” Yashen and Muhamedov, anarchon “Comrade” Jashen,, asal “Gulsara” Jashena, muses.
Jalilova, Asia "Arshin Mal Alan." Thus, Rosia received a musical and choreographic education very thorough by the standards of that time and was enrolled in the dance troupe of the Uzbek musical theater. После этого, в период годов в Ташкентском музыкальном театре, а с по год - в театре оперы и балета имени А. Навои исполняла главные партии Гуляндом Е. Брусиловский, «Гуляндом», г.
Василенко, «Ак-беляк», г. В таких оперных произведениях как «Товарищи», «Буран», «Гулсара», «Улугбек», «Фархад и Shirin ”,“ Leily and Majnun ”put and skillfully performed solo dances. There began a long and truly brilliant creative activity of Rosia Karimova. Having grown up in Margilan, in the very outback of Uzbekistan, under the leadership of mentors, Rosia perfectly mastered and constantly honed the technical techniques and plastic of purely Uzbek dance.
As part of the theater troupe, she tours in Uzbekistan, participates at all significant concerts: on the occasion of the completion of the construction of the Big Ferghana Canal; Farhad hydroelectric power station, etc. It is invited to participate in celebrations on the occasion of public holidays, commemorative dates, etc., as part of the group of artists, the Uzbek dance art in Moscow was applied to its dancing on the stage of the Bolshoi Theater was applied by I.
High musical culture, honing and filigree of each gesture, knowledge of the style of Uzbek dances of each region of the region Uzbekistan, combined with dazzling appearance and femininity, was admired by the audience, and being very young Rosia Karimov entered the galaxy of the most remarkable, most famous dancers, such as Mukarrama Turgunbaev, Halima Rakhimov, Gavhar Petrosov, Maryam Yakubov, Tamara Khanum.
Thanks to their work, in the years - the Uzbek folk dance acquired the features of the stage. Their activities, their creative searches are important for raising the prestige of dance art on concert stages. Perhaps for the first time then the general public began to relate to non -vertical dance as a serious art. This respect was manifested not only in the enormous attention of the audience and the central press, which was widely covered in tour, but also in providing dancers with the best stage sites in Uzbekistan and abroad.
The performance of ballet parties is characterized by dramatic expressiveness, a combination of techniques of Uzbek folk dance with pantomime. From the x Rosia Karimova works as a choreographer, puts dancing in the performances of the Uzbek music theater. Mukimi, for the stage, etc. Rosia successfully combines active creative activities with family responsibilities. She has a loving husband - Nasrullo Okhundi - a famous poet and prose writer, in the pre -war years, one of the leaders of the Union of Writers of Uzbekistan.
In the year, the son of Marat was born now a candidate of technical sciences, a well -known scientist. Rosia is the mistress of the Big Khlebsolnoye House, where the most famous cultural figures, artists, writers often visited. The older sister of Sarah, who became the editor of the newspaper Lenin Uchuni, “Iskra, along with a spouse, a major government official, has always been a reliable support in the life of Rosia.
All creative and generally life plans were violated by the war. Echelons with evacuated and wounded began to arrive in Tashkent. Many artists thought that their activities in art ended and were ready to do any other work necessary at that moment to the homeland. But it turned out that in the harsh war years, art has a strong emotional and ideological impact on the audience, which is acutely in need of bright joyful impressions.
She had already left for the front with her ensemble Tamara Hanum.Then a special team of artists was created under the leadership of Gavhar Rakhimova. And during the Great Patriotic War, Rosia Karimov, as part of artists from Uzbekistan, performed with concerts in hospitals and before the fighters of the Red Army, first in the hospitals of Tashkent, Urgench, Bukhara, and then on the fronts, including on the North-Western Front.
The stage platform was a trampled piece of land or a body of one and a half, but invariably the appearance of artists, and even in national clothes, their songs and dances, caused enthusiasm and were unusual success. The military time gave a new impetus to the development of art and in particular the art of dance, prompting new forms of their embodiment. For the artistic group, which included Rosia Karimov, the song “Forward”, written by composer Polatzhon Rakhimov, was in concerts at the front at the front of the main software song, Nasrullo Okhundi, Polatzhon Rakhimov.
In the year, as part of a group of masters of Uzbekistan, she participated in a solemn concert in front of the heads of the countries of the anti -Hitler coalition F. Roosevelt, W. Cherchil and I. Stalin, other participants in the conference in Tehran. A number of concerts with the participation of Uzbek artists were given. After the war of Rosia, he continues his creative activity on the stage of the Uzbek State Opera and Ballet Theater.
Even in the years of apprenticeship, she revealed versatile talents. Equally, she had the ability to both characteristic and classical dance, in addition, she found an outstanding singing talent. As a result of the development and detailed study of the variety of dance folklore of Uzbekistan, based on his own rich performing experience, Russia begins to seriously think about the need to create a special theory of stage interpretation of folk dance, in order to preserve it as a subject of cultural heritage, on the one hand, and on the other with the possibility of using its elements in larger theatrical productions.
At the same time, it becomes necessary to revise the training programs for dancers in choreographic schools and other educational institutions in order to bring the teaching of characteristic dances to the true sources of folk Uzbek choreography. To this end, she from the year begins to teach folk Uzbek dances in the Tashkent choreographic school.
In the years, working as a choreographer and at the same time soloist of the Uzbek State Musical Drama and comedy named after Mukimi, he puts and masterfully performs dances in such performances as Nurhon, Ravshan and Zulhumor, Tahir and Zuhra, Offtobhon, OK Nlyufar, Zafar and others. Rosia Karimova is not only a talented dancer, she is also a skilled teacher, and a researcher of theoretical and practical foundations of dance art.
Until now, the Uzbek dance existed only in the memory of its performers and spectators. Rosia was the first to dare and realized her idea of creating full -fledged textbooks. For the first time in history, she recorded the Uzbek dance as a choreographic work, described, designated and created a unique system of movements, positions, gestures. She cited information about the features of choreography and performing skills, about the signs of the suit, the design of the room, about the musical material.
With the city of Rosia Karimova, he was engaged in the systematization and scientific generalization of the main provisions, movements, rhythms of Uzbek folk dance. There are three schools in the Uzbek folk dance: Ferghana, Khorezm, Bukhara. Each school has its own clothes. Based on the richest experience of the dance style masters, R. Karimova prepared the textbooks “Ferghana Dance”, “Khorezm Dance”, “Bukhara Dance”, as well as the book “Dances of the ensemble“ Ba-Hor ”,“ Doyra Zarblarig Mashgulot ”“ Classes on the Bubn ”,“ Dances of Uzbekistan ”,“ Rabii Dances Atajanova.
" The works of Rosia Karimova received the most positive reviews and reviews from eminent dancers and theater sciences of Uzbekistan, and for several decades have been table books for teachers and students, future dancers. The Government of Uzbekistan praised Rosia Karimova. Her outstanding contribution to the development of the theory of domestic choreographic art of Uzbek dance.
During the Independence of Uzbekistan, Rosia Karimova received the title of People's Artist of Uzbekistan, the El-Yurt Hurmati medal, and the degree of honorary doctor of art history. Under the leadership of Rosia Karimova, many vivid talents were studied, which themselves have already been awarded honorary artistic titles and government awards .. Today, many followers of Tamara Hanum, Mukarrama Turgunbaeva, Rosia Karimova contribute to the development of dance art.
Rosia Karimova emphasized that the greatest value is a world on earth, it is a family, close and native people, it is a love for the homeland. The minor in Tashkent is buried in the cemetery. Latest update: February 10